Written by John Beeler.
Wikipedia defines startup as “an organization designed to search for a repeatable and scalable business model.” But the method of startups are on the verge of becoming a model for...well, everything else! So what’s legit about this expansion? What makes a startup? What doesn’t? How do we delineate?
StartupLife is a new series that examines startup culture and method but through the lens of non-tech sectors. StartupLife is an attempt to answer these questions by talking to people in or involved with Indianapolis, using a few baseline questions in the email, with followup questions that you can read on the Startup Spectator blog.
There’s two things you need to know about Joanna Taft.
One: she’s a starter by nature. Lots of people wait before beginning. They research. Run focus groups. Investigate tertiary markets. But not Joanna. When she starts, she starts. If it was 1804, Joanna Taft would be kicking around with Lewis & Clark. Starting a church, a school, an art gallery, or a civic center; it’s less important that she “knows” and more important that she gets it done. Learning is part of leading.
Two: Joanna is in this for the long game. If there’s something we can leave behind from traditional startup culture, it’s the app-a-day mindset - the idea that you can start something without scoping ahead, looking to the next hill (cf. Kevin Rose, Oink). Joanna is often looking five, ten, even twenty hills down the road. One function of Herron High School, which she helped start, is to turn normal high schoolers into what she calls “emerging patrons” - people who are versed enough in art to financially support it (...in ten years). That is future planning at its best.
Most recently, Joanna - dubbed a “cultural entrepreneur” by Brian Payne in the Indy Star - started City Gallery. Think of it as a spin-off of the Harrison Center for the Arts, only instead of art on the walls, it’s communities, neighborhoods, Indianapolis. Metaphor aside, there is in fact art on the walls at City Gallery, but it is place-based art, windows into the communities that City Gallery is promoting. It’s a unique concept - one that is still in its pilot stage, but shows a lot of promise.
Where did you come from, and where are you going?
Joanna: When I graduated from college, I thought I would do what my parents, neighbors, and friends, did: work for the government. I grew up inside the Washington Beltway, two blocks from a subway stop, and I assumed I would always have that lifestyle. After two years as a bureaucrat, I married a Hoosier and moved to Indiana.
It was in Indiana that I realized my love of starting things, cities, and bringing people together could translate into interesting positions that were much more rewarding than I could have imagined. My first job in Indiana was running a house museum and creating cultural programs that energized the community. Later, I did private real estate development and loved buying homes in my neighborhood and filling them with engaged citizens who would help rebuild our neighborhood, after years of decline.
This theme of building community and bringing people together around projects is something that makes my heart sing on my journey. Where am I going? I am going to the future of Indianapolis.
Define success.
Being able to recognize a community need, identify a solution, be willing to take a risk, accomplish the project with others by leveraging resources and networking to build culture in Indianapolis.
What do you work for?
To create a community that ought to be.
You've started up more than just the HCA and City Gallery - could we also credit Oaks Academy, and Herron High School to you as well? And what am I missing? What is it in you that keeps starting things?
We were a founding family of The Oaks Academy. It was amazing to be a part of rebuilding the social fabric of our neighborhood as a family. Through my role at the Harrison Center, I was privileged to be the founder of Herron High School. I am still board chair and find great satisfaction in watching that school keep families from leaving urban neighborhoods and attracting new families to help strengthen our urban neighborhoods. I didn't have much of an art background when I started the Harrison Center for the Arts, although I had done some cultural programming. Contemporary art and gallery openings were intimidating to me--that is how I coined the term emerging patrons. I was an emerging patron.
The City Gallery was started out of the need to rebuild our core neighborhoods. In Center township, we have lost over 67% of our population since 1950. My artists need patrons and Indianapolis needs a tax base. So, the City Gallery tells the story of neighborhoods, of place. It is a gallery which celebrates Indianapolis' unique stories and neighborhoods, but it is also a resource cafe that connects people to culture, community and place.
We are not realtors, but we can connect people to neighborhoods and neighbors that model community. I always say that I like to start things I don't know anything about--it is a lot more interesting. I am not sure what is next. I think it would be fun to develop artist housing. We'll see what opportunities arise.
Do you feel like Indianapolis is conducive to starting things, or the opposite? Or is the system rigged against new things here?
I think that Indianapolis is very open to new people and ideas. We moved here after graduate school and have found Indianapolis to be a place where you can really make a difference and see measurable results of your work.
City Gallery has been in operation since summer of 2011. What problem does City Gallery solve? What's next for City Gallery?
The City Gallery is both a gallery and a resource cafe. It is a gallery that exhibits place-based art and tells the stories of neighborhoods. We are seeing more and more artists celebrating "place" and hope this movement continues. By elevating artists to tell the story of Indianapolis and urban living, we will strengthen our community fabric and pride of place.
Want to get plugged in? Want to find your place in urban Indy? We can connect you to the great organizations and people who are rebuilding our neighborhoods. We are in our pilot phase now. In the next six months, you will find more arts programming--videos about Indy, music celebrating neighborhoods, maybe even a neighborhood rock poster contest. We hope to create a movement of art and culture that celebrates place - a movement that not only changes Indianapolis, but sends the message to our nation that we put the Indie in Indy.



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